Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 4): Formal manipulations observed in the process of working design and construction instruction of the cathedral (1948–1954)

A meticulous analysis of the design process for the Hiroshima Peace Memorial (Genbaku Dome) reveals Togo Murano's strategic formal manipulations during its working design and construction instruction phases (1948–1954). The study highlights key architectural transformations, including dome installation over the sanctuary, crypt redesign, window design, and tower design, which were critical to the cathedral's final form. By examining sketches and drawings up to the dedication date, researchers uncover Murano's creative thinking, offering insights into the evolution of this UNESCO World Heritage Site.

Tomioka, Y., & Tabata, C. (2024). Design process of the Memorial Cathedral for World Peace (1954), Hiroshima, by Togo Murano (Part 4): Formal manipulations observed in the process of working design and construction instruction of the cathedral (1948–1954). Japan Architectural Review, 8(1). Portico. https://doi.org/10.1002/2475-8876.70011