Summary
Research reveals the underappreciated significance of Henry III’s Great Chamber at Westminster Palace, particularly its unique 13th-century structure and wall-paintings, which were previously overlooked or inadequately studied. The study highlights the chamber's dual function as both a royal bedroom and a monument to St Edward the Confessor, emphasizing its role in the saint's cult. It also uncovers the scope of painting work carried out under Henry III and his successors, demonstrating an iconographic unity that had not been previously recognized. The findings were derived from an analysis of historical records, architectural studies, and art historical methods.
Citation
Wilson, C. (2020). A Monument to St Edward the Confessor: Henry III’s Great Chamber at Westminster and its Paintings. Westminster, 152–186. https://doi.org/10.1201/9781315630762-8