Summary
The destruction of the Bamiyan Buddhas by the Taliban was primarily driven by political iconoclasm, not religious or cultural factors. Analysis suggests that Mullah Omar viewed the statues as a bargaining chip and revenue source, with religion playing a secondary role. The act was politically calculated, with external allies aware of its consequences. While cultural and religious elements were present, they were not the primary motivators. This study challenges the notion that the destruction was solely due to theological or cultural dissonance, providing a nuanced perspective on the complex dynamics at play.
Citation
Atai, J. (2019). The Destruction of Buddhas: Dissonant Heritage, Religious or Political Iconoclasm? Tourism Culture & Communication, 19(4), 303–312. https://doi.org/10.3727/194341419x15554157596173