Study of the Impressions of the Guanfo Statues in the Longmen Grottoes and Social and Cultural Changes

A comparative analysis of Guanfo statue impressions at the Longmen Grottoes reveals that these Buddhist artifacts not only reflect religious devotion but also symbolize the social and political identity of their creators as subjects of the imperial state. Using field investigations and historical argumentation, the study identifies five main types of Dharma seal impressions, tracing their origins to ancient India's Shakya sect while highlighting regional adaptations in Chinese Mahayana Buddhism. The research demonstrates how these artistic motifs encapsulate broader cultural shifts, offering a novel perspective on the intersection of faith, governance, and artistry during this period.

Zhang, Y. (2024). Study of the Impressions of the Guanfo Statues in the Longmen Grottoes and Social and Cultural Changes. International Journal of Social Sciences and Public Administration, 2(3), 230–236. https://doi.org/10.62051/ijsspa.v2n3.32