Summary
A comparative analysis reveals shared architectural and sculptural identity traits between the Sanctuary of Bom Jesus de Matosinhos (Congonhas do Campo) and the Sanctuary of Bom Jesus do Monte (Braga), highlighting their symbolic, atmospheric, and technical distinctions. The study emphasizes Aleijadinho's innovative use of soapstone carving in the Brazilian sanctuary and the distinct granite sculpture techniques employed in Portugal. Through a comparative methodology, it examines topographical implantation, ornamental compositions, paintings, and sculptural elements, underscoring the dramatic sensory experiences evoked by these UNESCO World Heritage Sites. The research also addresses technical construction challenges and the significance of these traits within the Portuguese-speaking architectural landscape.
Citation
Silva, E. D. d., & Nogueira, A. D. (2020). TRAÇOS IDENTITÁRIOS: O SANTUÁRIO DE BOM JESUS DE MATOSINHOS DE CONGONHAS DO CAMPO E O SANTUÁRIO DO BOM JESUS DO MONTE EM BRAGA / IDENTITY TRAITS: THE SANCTUARY OF BOM JESUS DE MATOSINHOS DE CONGONHAS DO CAMPO AND THE SANCTUARY OF BOM JESUS DO MONTE IN BRAGA. Brazilian Journal of Development, 6(9), 67508–67524. https://doi.org/10.34117/bjdv6n9-256
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World Heritage Explorer > World Heritage Research > Publications > Traços Identitários: O Santuário de Bom Jesus de Matosinhos de Congonhas do Campo e o Santuário do Bom Jesus do Monte em Braga / Identity Traits: The Sanctuary of Bom Jesus de Matosinhos de Congonhas do Campo and the Sanctuary of Bom Jesus do Monte in Braga