Apuleius in France: La Fontaine’s Psyché and its Apuleian Model

Jean de La Fontaine's 'Les Amours de Psyché et de Cupidon' (1669) stands out as his most sustained engagement with a classical text, demonstrating deep knowledge of Apuleius' Latin novel 'Metamorphoses.' This 1669 adaptation expands the tale of Cupid and Psyche, embedding it within a frame narrative set in contemporary Paris, where four friends visit the under-construction Palace and Park of Versailles to hear one recount the story. The work not only seeks royal patronage but also subtly reflects La Fontaine's previous patron, Nicholas Fouquet, hinting at political undertones. A detailed comparison reveals significant additions and omissions from Apuleius' original, suggesting La Fontaine's familiarity with all three Greek novels available in France at the time. This adaptation foreshadows his role in the 'Querelle des Anciens et des Modernes,' where he championed classical literature, predating his 1687 'Épître à Huet.' Despite its lesser-known status compared to his 'Fables,' this work's symbolic significance as a classicizing piece was recognized contemporaneously, offering rich material for classical scholars.

Harrison, S. (2018). Apuleius in France: La Fontaine’s Psyché and its Apuleian Model. Antike Erzähl- Und Deutungsmuster, 385–400. https://doi.org/10.1515/9783110612516-018