Portraits of Uroš II Milutin as А King and Founder in Serbian Monumental Painting of 14th Century

Serbian King Uroš II Milutin's portrayal in monumental painting underwent significant evolution from the late 13th to early 14th century, reflecting his political propaganda and sovereignty. Through a comparative analysis of royal portraits across seven key churches—including Sopoćani, Studenica, and Gračanica—this study reveals how Milutin's image transitioned from youthful depiction in Sopoćani (1360s) to a more authoritative representation by his death in 1321. The research highlights the use of luxury court attire, royal insignia, and symbolic figures to convey power, while also examining the interplay between rulership and holiness in visual art. By focusing on Milutin's propaganda in monumental painting, the study offers insights into the intersection of political strategy and artistic expression during his reign.

Griza, A. (2023). PORTRAITS OF UROŠ II MILUTIN AS А KING AND FOUNDER IN SERBIAN MONUMENTAL PAINTING OF 14TH CENTURY. Sveti Kralj Milutin I Njegovo Doba : Istorija, Književnost, Umetnost, 649–666. https://doi.org/10.46793/6008-065-5.649g