The Idea of the Labyrinth from Classical Antiquity through the Middle Ages

The labyrinth, as a symbol and architectural form, evolved significantly from its roots in Classical Antiquity to the Middle Ages. This study traces its development through various mediums, including rock carvings, Etruscan pottery, Roman mosaics, and medieval manuscripts, highlighting its adaptability and symbolic depth. The research employs a comparative approach, analyzing labyrinth representations across cultures and periods, from the Cretan-style carvings to intricate garden mazes like those attributed to Pozzoserrato (ca. 1550). A key insight is the labyrinth's role as both a physical structure and a metaphorical representation of complexity, error, and the human journey, as seen in its depiction in Chartres Cathedral's nave (ca. 1194-1220) and other notable sites. The study also explores its literary and philosophical significance, such as in Dante's works and Boethius's 'Consolation of Philosophy,' underscoring its enduring influence on art, architecture, and thought.

Doob, P. R. (2019). The Idea of the Labyrinth from Classical Antiquity through the Middle Ages. https://doi.org/10.7591/9781501738463