Summary
The All Souls Day procession in Seville Cathedral, spanning the 14th to 17th centuries, uniquely integrated spatial and sensory elements, particularly sound, creating a profound emotional impact on citizens. This ritual, tied to theological themes of Purgatory, demonstrated a gradual increase in private endowments over time, reflecting its significance. The procession's dramatic transformation in the late 15th century and its distinct auditory identity set it apart from other annual processions, with 211 such events occurring annually by the early 18th century. The study emphasizes the interplay between liturgical rank, spatial dynamics, and sensory experiences, offering insights into the cultural and religious evolution of Seville during this period.
Citation
Ruiz Jiménez, J. (2015). Music and Ritual in the Procession of All Souls Day in Seville Cathedral (14th – 17th centuries). Medievalia, 17, 243. https://doi.org/10.5565/rev/medievalia.248