Summary
Velázquez's painting San Antonio Abad y san Pablo Ermitaño showcases a unique artistic approach, blending emulation with original thematic interpretation within the Buen Retiro landscape. This study reveals how Velázquez subverted traditional religious iconography by integrating the figures into a palatial setting, reflecting both his mastery of technique and his innovative perspective on the relationship between art and power. The research analyzes the painting's contextual placement in the Paseo del Prado and Buen Retiro complex, demonstrating its role as a visual dialogue with classical and contemporary influences. By examining historical records and artistic conventions, the study highlights Velázquez's contribution to the cultural landscape of Madrid.
Citation
Hermoso Cuesta, M. (2021). La Tebaida Palatina. San Antonio Abad y san Pablo Ermitaño de Velázquez. Atlante, 15. https://doi.org/10.4000/atlante.8877