Summary
A groundbreaking study reveals how confraternities, voluntary communities centered on shared spirituality and trade, significantly influenced late medieval music composition and liturgical practices in northern Europe. Unlike previous scholarship that focused solely on cathedrals or monasteries, this research highlights the role of confraternities as patrons and sponsors of new musical works for the Mass and Office, integrating lay piety into diocesan practices. By examining Paris and Tournai as key nodes in regional networks, the study demonstrates how political, commercial, and ecclesiastical connections facilitated the diffusion of devotions and their associated music. Paris, as a university hub, attracted international students and supported extensive book production, while Tournai served as an ecumenical crossroads under French and Burgundian rule, further shaping musical-liturgical creativity in this period.
Citation
Blasina, J. J. (2022). Music, Liturgy, and Confraternity Devotions in Paris and Tournai, 1300–1550 Sarah Ann Long. Music and Letters, 103(2), 344–346. https://doi.org/10.1093/ml/gcac023