Summary
This study highlights the Bauhaus's enduring influence on architectural education, particularly through its legacy in Dessau and its revival in Ulm. It identifies the Dessau building as a didactic instrument, contrasting Gropius’s vision with Hannes Meyer’s work, which links to Max Bill’s Holtschule für Gestaltum (HfG) in Ulm—a project aimed at reviving Bauhaus ideals post-World War II. The research revisits historical narratives, emphasizing the HfG's role as a high-performance educational space, despite its short-lived success (1955–1968). The study underscores how architectural spaces can serve as platforms for pedagogical innovation, even amid controversy.
Citation
Añón Abajas, R. M. (2010). LA BAUHAUS, DE DESSAU A ULM: ENSAYOS SOBRE EL ESPACIO DOCENTE DE ALTO RENDIMIENTO. Proyecto, Progreso, Arquitectura, (1), 26–45. https://doi.org/10.12795/ppa.2010.i1.02