National uniqueness and decoration of the gùgōng, the imperial (hang da) palace in beijing

Traditional Chinese architecture, particularly evident in the Imperial Palace (Gùgōng) of Beijing, is characterized by symbolic decoration and polychromy that reflect social hierarchy, divine imperial power, and philosophical foundations. The study identifies key concepts such as 'tradition' (Chuan tong), 'architecture' (Jian zhu), and specific decorative elements like the dragon and lotus, which hold symbolic meanings rooted in Daoism, Confucianism, and Buddhism. A comparative analysis of polychromy reveals a shift from simple compositions in ancient times to more complex and diverse designs during the Ming Dynasty, establishing a standard for both religious and secular decor concentrated in the Gùgōng complex. The palace's design, including its grouping of halls into threes (symbolizing the trigram 'Cyan' for Sky), underscores its role as a microcosm of imperial authority and philosophical thought.

Peng, C. (2019). National uniqueness and decoration of the gùgōng, the imperial (hang da) palace in beijing. Theory and Practice of Design, 0(19). https://doi.org/10.18372/2415-8151.19.14373