On Modern Architecture and Synthesis of the Arts: Dilemmas, Approaches, Vicissitudes

The concept of 'synthesis of the arts' emerged as a transformative principle in modern architecture during the 1940s, aiming to integrate painting and sculpture into architectural design to bridge the gap between art and society. This approach sought to renew and improve modern architecture by fostering collaboration among artists and ensuring a unified artistic experience that balanced aesthetic value with social content. Key examples of this integration can be seen in university cities such as Mexico City and Caracas, as well as in the landscapes designed by Roberto Burle Marx. However, the study reveals a significant dilemma: while the concept aimed to extend its influence to urban planning and city design, it paradoxically faced a crisis when applied at larger scales, highlighting the challenges of maintaining artistic coherence and social relevance in complex urban environments.

Torrent, H. (2010). On Modern Architecture and Synthesis of the Arts: Dilemmas, Approaches, Vicissitudes. Docomomo Journal, (42), 6–13. https://doi.org/10.52200/42.a.cyzlho7g