Summary
Filipino Catholic church architecture from the Spanish colonial period (1565–1898) represents a unique fusion of European and indigenous artistic traditions, serving as both symbols of Spanish authority and enduring expressions of local craftsmanship. This study reveals how Filipino artisans, trained under Spanish supervision, adapted baroque, rococo, and neoclassical styles to incorporate indigenous motifs and materials, creating intricate facades, grand altarpieces, elaborate woodwork, and vibrant ceiling paintings. These churches not only reinforced religious doctrine but also became focal points for community life, fostering a hybrid Filipino identity. The analysis of key decorative elements—such as facade ornamentation, retablos, and ceiling art—demonstrates their dual role as symbols of colonial power and local resilience.
Citation
VILLENA, A. (2024). The Decorative Art in Filipino Catholic Church Architecture and Its Representation of Spanish Colonial Culture. Studies in Art and Architecture, 3(4), 17–22. https://doi.org/10.56397/saa.2024.12.03