“Paraboloids”, “lattice figures” and “poles with canvases” (petroglyphic images and ethnographic parallels)

A comparative analysis of geometric petroglyphs from the Mongolian Altai reveals three distinct complexes, each representing different stages or functions of anthropomorphic modeling. The first complex, characterized by paraboloid shapes with anthropomorphic features, likely depicted mummers representing vegetative spirits during rituals and dates back to the Eneolithic to Bronze Age (Chemurchek and Karakol cultures). The second complex, featuring lattice figures with additional body parts, appears to symbolize dummies used in seasonal rituals, associated with Afanasiev and Karakol cultures. The third complex, consisting of poles with suspended rectangular canvases, serves a memorial purpose, representing deceased individuals, and belongs to the Okunevo culture. Ethnographic parallels suggest these petroglyphs reflect a progression from ritual mummers to symbolic dummies and finally to memorial models.

Kisel, V. (2022). “Paraboloids”, “lattice figures” and “poles with canvases” (petroglyphic images and ethnographic parallels). Camera Praehistorica, 26–44. https://doi.org/10.31250/2658-3828-2022-2-26-44