The Artistic Form of the Muslim Alhambra in Granada and its Transformation in the Christian Alcázar of Sevilla

A comparative analysis reveals that the transition from Muslim to Christian rule in southern Spain led to the emergence of a distinct architectural language, blending elements from both Hispano-Muslim and Western European traditions. The study identifies key criteria underlying this synthesis, particularly in spatial organization and ornamental decoration, such as stucco carving, ceramic revetments, and ceiling structures. By examining the Alhambra in Granada—renowned for its 13th- and 14th-century Islamic art—and the Alcázar of Seville—a pioneering Christian residence built in the Mudéjar style—the research establishes a typology that highlights mechanisms of intercultural syncretism. This synthesis not only shaped the artistic language of medieval Spain but also set new tendencies for the Spanish Mediterranean region.

Sim, N. M. (2026). The Artistic Form of the Muslim Alhambra in Granada and its Transformation in the Christian Alcázar of Sevilla. Cuadernos Iberoamericanos, 14(1), 195–216. https://doi.org/10.46272/2409-3416-2026-14-1-195-216