Summary
A groundbreaking analysis reveals that the Loire Valley Chansonniers, a collection of medieval musical manuscripts, served not only as repositories of song but also as crucial social and cultural artifacts. These works, primarily from the 15th century, reflect the political and intellectual dynamics of their time, including the patronage of aristocratic families like the Dukes of Anjou. Jane Alden's study employs a multidisciplinary approach, combining musicology, paleography, and historical sociology to trace the evolution of these chansonniers from their origins in royal courts to their dissemination among scribes and musicians. By examining reception history—how these works were interpreted and adapted over centuries—the research demonstrates their enduring influence on European musical tradition, particularly during the Renaissance.
Citation
Thomas, J. (2011). : Songs, Scribes, and Society: The History and Reception of the Loire Valley Chansonniers. Renaissance Quarterly, 64(3), 939–940. https://doi.org/10.1086/662892