Analysis of Leonardo Da Vinci's Work “The Last Supper” in the Context of Iconographic Analysis

Leonardo da Vinci's 'The Last Supper' (1495), commissioned by Ludovico Sforza for the Church of Santa Maria delle Grazie, stands as both a Renaissance masterpiece and an enigmatic work that has captivated human interest across centuries. This study applies iconographic analysis—comprising 'natural subject,' 'conventional subject,' and 'intrinsic meaning'—to dissect the artwork's cultural context, Leonardo's stylistic contributions, and the broader societal influences shaping its creation. By meticulously examining historical and symbolic elements, the research reveals how 'The Last Supper' transcends religious representation to embody Renaissance ideals, offering new insights into its layered significance.

KARAKAYA, F., & GÜNEŞ, D. (2023). Analysis of Leonardo Da Vinci’s Work “The Last Supper” in the Context of Iconographic Analysis. Uluslararası İletişim Ve Sanat Dergisi, 4(8), 63–73. https://doi.org/10.29228/iletisimvesanat.70090