Summary
A novel approach to acoustic ecology, integrating music composition with ecological data, reveals how soundscapes can mirror complex ecosystems. The study proposes a practice that centers the study of all sounds from an ecological perspective while incorporating creative practices. Using field recordings from Patagonia, Iceland (including Vatnajökull National Park), and Texas—all threatened by noise pollution or human interference—the research maps daily sound activity, including decibel levels and anthropogenic noise. A non-linear composition, 'Resonance Ecology,' was created to generate evolving soundscapes based on geographical or weather connections, offering a surreal portrayal of ecosystems rather than literal representation. This work highlights the potential for interdisciplinary collaboration to deepen ecological insights.
Citation
Gerard, G. C. Resonant Ecologies: Exploring Interrelationships between Ecological Disciplines and Music Composition. https://doi.org/10.12794/metadc2179199