Summary
The Royal Basilica of Mafra's six-manual organs, crafted by organ builders António Xavier Machado e Cerveira and Joaquín Antonio Pérez Fontanes between 1792 and 1807, exemplify the pinnacle of Iberian auditory symmetry in architectural design. These instruments were integral to the basilica's liturgical repertoire, amplifying ceremonial solemnity through their sonic magnitude—a key element in the ritual apparatus reinforcing royal power. The study analyzes the organs' unique structure and their role in the basilica's acoustic environment, highlighting their historical significance within the broader context of Iberian organ-building traditions.
Citation
Brescia, M. (2024). Arquitetura sonora dos órgãos sêxtuplos da Real Basílica de Mafra. Quiroga. Revista de Patrimonio Iberoamericano, (23), 300–309. https://doi.org/10.30827/quiroga.v0i23.0022