Rococo Aesthetics and the Problem of Trompe l'Oeil

Rococo art, often perceived as purely ornamental and artificial, is revealed to have deep engagement with naturalism and illusionism through its use of trompe l'oeil techniques. This study demonstrates that rococo aesthetics, exemplified in works by Fragonard, Liotard, and the Wieskirche church, challenge conventional perceptions by employing visual illusions not just to deceive but also to interrogate the role of the viewer in art. The analysis shows that rococo is a self-conscious meta-style, transcending mere decoration to explore the complexities of boundaries in artistic creation. By examining paintings, architecture, and ornamental prints, the research highlights how trompe l'oeil functions as both an artistic tool and a conceptual device, reshaping our understanding of rococo's relationship with nature and illusion.

Yonan, M. (2024). Rococo Aesthetics and the Problem of Trompe l’Oeil. Art and Artifice in Visual Culture, 32–49. https://doi.org/10.4324/9781003478898-4