A propósito de La última cena, performance de Verónica Ruth Frías

Leonardo da Vinci's 'The Last Supper' (Cenacolo or L’Ultima Cena), painted in the refectory of Santa Maria delle Grazie convent in Milan at the end of the 15th century, marked a groundbreaking departure from previous biblical depictions. Commissioned by Ludovico Sforza for the Dominican convent, this masterpiece redefined artistic representation of the New Testament passage. The study 'A propósito de La última cena' by Verónica Ruth Frías analyzes the performance and cultural significance of da Vinci's work, offering insights into its historical context and enduring influence on art and heritage preservation.

Hurley, I. (2017). A propósito de La última cena, performance de Verónica Ruth Frías. Boletín de Arte, (38), 203–210. https://doi.org/10.24310/bolarte.2017.v0i38.3378