The Activities and Hanging Buddhist Paintings of 17th-century Cheongju Painter Monk Singyeom

A study of 17th-century Buddhist hanging paintings by monk Singyeom reveals significant stylistic and compositional shifts across his works, linked to changes in his collaboration with assistant painters. Analyzing three extant Sermon on Vulture Peak paintings—created at Bosalsa (1649), Ansimsa (1653), and Biamsa (1657) temples—researchers found that while the form remained consistent, later works exhibited reduced Buddha imagery, altered color balance, and more pronounced bodily marks. These changes correlated with the transition from assistant Jibyeon to Deokhui, suggesting evolving artistic influences. Additionally, Singyeom’s monastic title indicates his leadership role within Chungcheong Province and Namhansanseong Fortress, highlighting the support structure provided by the Byeogam monastic lineage, which was prominent in the Hoseo region during this period.

Lee, Y. (2019). The Activities and Hanging Buddhist Paintings of 17th-century Cheongju Painter Monk Singyeom. Misulsa Yeongu : Journal of Art History, 36, 133–157. https://doi.org/10.52799/jah.2019.06.36.133