Summary
Rafael Moneo's architectural extensions of the Museo del Prado (1998–2007) and Estación de Atocha (1984–92, 2008–present) demonstrate how public buildings can act as integral parts of a city’s 'unfinished text,' transcending their role as mere additions to urban contexts. By analyzing spatial, volumetric, physical, perceptive, cultural, and historical continuities, the study reveals that both projects have revitalized Madrid's emblematic Paseo del Prado and Buen Retiro area while shaping the city’s growth and reinforcing its identity. This approach challenges traditional views of urban architecture by emphasizing continuity over completion, offering a framework for understanding how public buildings contribute to the dynamic evolution of historic cities.
Citation
Díez Medina, C. (2021). La ciudad como texto inacabado de Rafael Moneo: ampliaciones de la Estación de Atocha y del Museo del Prado. QRU: Quaderns de Recerca En Urbanisme, (12), 45–59. https://doi.org/10.5821/qru.10986