Anni Albers and Lilly Reich in Barcelona 1929: Weavings and Exhibition Spaces

Anni Albers' innovative weaving techniques, developed during her time at the Bauhaus, were significantly influenced by her participation in the 1929 Barcelona International Exhibition. Her designs for utilitarian weavings, including materials for drapery, upholstery, and wall-covering, showcased a dual functionality with one side optimized for acoustic absorption using straw-like synthetic material and chenille backing, while the other reflected light with silver finishing. This groundbreaking approach not only contributed to her Bauhaus degree in 1930 but also set a precedent for functional textile design. The study traces the origins of these innovations, highlighting Lilly Reich's pivotal role in the interior design of exhibition spaces and the broader impact of Bauhaus contributions at the Barcelona exhibition.

(Ed.). (2018). Anni Albers and Lilly Reich in Barcelona 1929: Weavings and Exhibition Spaces. MOMOWO: Women Designers, Craftswomen, Architects and Engineers between 1918 and 1945. https://doi.org/10.3986/wocrea.1.momowo1.14