Summary
Recent archaeological discoveries in St George’s Cathedral of the Yuriev Monastery and the Church of the Annunciation on the Hillfort, dating to around 1130, have uncovered thousands of original fresco fragments that challenge traditional understandings of early art in Veliky Novgorod. These murals reveal a high level of artistic sophistication, likely executed by specialized painter teams summoned from Kiev or Constantinople, possibly including Byzantine artists. The findings suggest the existence of at least five distinct teams active in Novgorod during the first half of the 12th century, with no evidence of a local Novgorod-based team. The frescoes' stylistic heterogeneity indicates contributions from multiple generations of painters, continuing the tradition of princely Novgorod churches while reflecting diverse influences.
Citation
Etinhof, O. E. (2022). New Finds of Frescoes in St George’s Cathedral of the Yuriev Monastery and Teams of Painters in the Novgorod Land of the First Half of the 12th Century. Vestnik of Saint Petersburg University. Arts, 12(3), 464–486. https://doi.org/10.21638/spbu15.2022.304