A Study of the Production Techniques and Origins of Late-Silla and Early-Goryeo Dry Lacquer Buddhist Statues

Korean dry lacquer Buddhist statues, previously thought to have originated around the mid-Goryeo period under Song Chinese influence, may trace their roots back to the Silla-Goryeo transition period. This study challenges the established timeline by comparing early Korean statues, such as the seated Bhaisajyaguru at Cheongnyangsa Temple and Master Huirang at Haeinsa Temple, with Chinese counterparts from the Sui to Tang dynasties. Analysis revealed striking similarities in materials (hemp cloth and lacquer), construction techniques (hollow interiors without wooden frames, use of wooden struts for support, and lead glass eyes inlaid with hemp fabric and lacquer), and stylistic elements, suggesting a direct influence from China during the 6th to 7th centuries. The research also highlights the potential for future scientific studies on Chinese dry lacquer statues to further elucidate the origins and evolution of these artistic traditions.

Jeong, E. (2018). A Study of the Production Techniques and Origins of Late-Silla and Early-Goryeo Dry Lacquer Buddhist Statues. Misulsa Yeongu : Journal of Art History, 34_35, 7–33. https://doi.org/10.52799/jah.2018.12.34_35.7