The “Hermaphrodite” of Modena

A previously overlooked eleventh-century sculpture from Modena Cathedral, known as the 'Hermaphrodite' or Potta di Modena, challenges long-held assumptions about premodern perceptions of intersex individuals. Contrary to sixteenth-century accounts that labeled it obscene, the original work likely celebrated anatomical ambiguity as a marvel of God's creation. This study reveals a nuanced historical perspective on sexuality and identity, contradicting Michel Foucault’s assertions about premodern views on intersexuation. By analyzing the sculpture’s restoration history and contemporary scholarly debates, researchers highlight the need for further investigation into the visibility of intersex people and their agency outside traditional frameworks.

Maillet, C. C. (2021). The “Hermaphrodite” of Modena. The Politics of Obscenity in the Age of the Gutenberg Revolution, 46–59. https://doi.org/10.4324/9781003083214-5