The Meaning of Shater Form in the Architecture of Russian Renaissance of the 16th Century

The Church of the Ascension in Kolomenskoye, featuring one of the first known masonry tent-shaped roofs, symbolizes Moscow's aspirations as the 'Third Rome' and its connection to Constantinople. Built in 1532 under Grand Duke Vasily III, the church's design, attributed to Italian architect Petrok Maly (Pietro Annibale di Piza), reflects Renaissance influences while adhering to Russian architectural traditions. The study clarifies the cultural and symbolic significance of the tent-shaped roof, addressing long-standing debates about its origins—whether rooted in Russian timber construction or influenced by Armenian, Georgian, or Indian traditions. By analyzing historical texts, including descriptions of Saint Sophia's ciborium in Constantinople, the research links Kolomenskoye's architecture to broader geopolitical and religious narratives of 16th-century Russia.

Shvidkovsky, D. O. (2021). THE MEANING OF SHATER FORM IN THE ARCHITECTURE OF RUSSIAN RENAISSANCE OF THE 16TH CENTURY. Scientific and Analytical Journal Burganov House. The Space of Culture, 17(3), 10–23. https://doi.org/10.36340/2071-6818-2021-17-3-10-23