"Things Not Seen" in the Frescoes of Giotto: An Analysis of Illusory and Spiritual Depth

Giotto di Bondone's frescoes employ hidden and omitted spatial elements to convey psychological and spiritual depth, demonstrating his unique visual wit (ingegno) that transcends superficial imitation. This study reveals how Giotto's narrative compositions in the Arena Chapel, Bardi and Peruzzi Chapels, and the Basilica of San Francesco in Assisi use architectural divisions and implied narrative perspectives to evoke emotional states and divine presence. Unlike prior research that only briefly addresses spatial composition, this analysis highlights Giotto's innovative approach, showing how his stylistic influence persists beyond Padua while eluding deeper replication by imitators.

Hubbell, A. “Things Not Seen” in the Frescoes of Giotto: An Analysis of Illusory and Spiritual Depth. https://doi.org/10.31390/gradschool_theses.4408