Publications
Boas Práticas de Ensino e Aprendizagem da Língua Inglesa para Profissionais da Hotelaria em Manaus/Am
A significant gap exists between the English proficiency requirements for hotel professionals and their actual language skills, despite the critical need for fluency in the sector. A 2023 study by SINDECHRSAM and SENAC/AM in Manaus identified that non-formal educational environments, employing gamification, dramatization, and experiential learning techniques—such as visits to the UNESCO-listed Teatro Amazonas—can effectively address this challenge. The research, rooted in Bourdieu's sociological education theory, demonstrated that such methods foster critical thinking, autonomy, and practical skill development among learners, particularly when tailored to the specific interests and needs of hotel workers.
Crispim do Amaral e a concepção do Teatro Amazonas
The Teatro Amazonas, a cultural landmark in Manaus, Brazil, stands as a testament to the architectural and artistic innovation of its time. This study reveals that Crispim do Amaral, a renowned scenographer and painter, played a pivotal role in shaping the theater's aesthetic through his contributions to its decoration. The research uncovers how the theater's design, characterized by an eclectic blend of classical and revivalist elements, was further enhanced by innovative materials like the metallic dome structure, which became an iconic symbol of the region. By analyzing historical documents, including projects, correspondence, photographs, and periodicals, the study sheds light on the challenges faced during its construction, the controversies surrounding authorship, and the enduring legacy of Amaral's work in Brazilian cultural heritage.
Figurinos e figurinistas do Festival de Ópera do Theatro da Paz em Belém (PA): estudos preliminares
Local costume designers (figurinistas) play a pivotal role in shaping the cultural identity of Belém's Opera Festival, yet their contributions have been understudied. This preliminary study reveals that these artists are not mere technical assistants but active protagonists in opera productions at Theatro da Paz, influencing both aesthetic and narrative dimensions. By analyzing political-cultural dynamics across festival editions, researchers uncover how state policies and artistic collaboration intersect to define operatic traditions in the Amazon region. The findings highlight a need for deeper exploration of regional artists' agency in preserving and innovating operatic heritage.
Todas as Encantatrizes da Ópera em Manaus
A notable allegorical painting, 'Imortalidade' by Amazonian artist Branco Silva (1946), captures the cultural essence of Manaus during its first Cinquentenary celebration of the Teatro Amazonas inauguration. The artwork serves as a visual commemoration, reflecting the city's vibrant life and artistic evolution in that era. This analysis delves into the painting's creation, exploring its symbolic significance within the broader context of Manaus' historical and cultural development. Through careful examination, the study reveals how 'Imortalidade' encapsulates the spirit of an epoch, offering insights into the interplay between art, history, and urban identity.
(Opera) Fever in Belle Époque Manaus
Italian opera in Belle Époque Manaus, particularly at the iconic Teatro Amazonas, played a pivotal role in shaping national and transnational identities while reflecting global perceptions of civilization. The study reveals that tropical diseases significantly disrupted opera productions, challenging the region's image as part of a 'global fantasy of civilisation.' A notable shift from Italian to French repertoire at the turn of the twentieth century provides new insights into Amazonian cultural understandings of European identity, italianità, and civilization concepts.
Epigrama Visual de uma Narrativa Lírica: Peri e Ceci de Domenico de Angelis
A visual epigram emerges from the decorative art of the Teatro Amazonas, revealing a blend of Italian and Amazonian aesthetics. The study highlights eleven parietal panels designed for the theater's grand hall, ten depicting Amazon landscapes and one featuring a scene from Carlos Gomes' opera 'Il Guarany.' This intentional homage to the late composer underscores the cultural significance of the theater's inauguration in 1896. The research explores the artistic collaboration between Chrispim do Amaral and Italian artists from the Accademia di San Luca, offering insights into the fusion of European and local influences during the 19th century in Manaus.
Manaus, Brazil
Manaus, Brazil, underwent a profound cultural and economic transformation during the rubber boom (1870–1930), challenging the narrative of post-boom decline. While often depicted as a transient hub of conspicuous consumption, this study reveals that the city's social, economic, and cultural infrastructure laid critical foundations for a regionalist movement and an Amazonian identity. The research analyzes international influences, local adaptations, and the enduring legacy of Manaus' cosmopolitan past, demonstrating how its cultural heritage persisted beyond the rubber trade's collapse.
Experimenting with film, art, and ethnography: Oppitz, Downey, Lockhart
This chapter highlights three distinct approaches to integrating art and ethnography, each offering unique insights into the interplay between anthropology and contemporary art. It identifies Michael Oppitz's opposition to staged events as a critical stance that contrasts with Sharon Lockhart's 'Teatro Amazonas,' which embodies artifice by staging a diverse population in an opera house setting. Juan Downey's work also contributes to this discourse, yet remains underexplored in anthropological and art criticism contexts. The chapter underscores the potential for future collaborations between these fields, demonstrating how experimental practices can redefine their relationships and methodologies.
La Gioconda: o café do Teatro Amazonas
A study on the Café La Gioconda, located within the iconic Teatro Amazonas—a UNESCO-recognized cultural heritage site in Manaus, Brazil—reveals a missed opportunity to enhance local tourism through gastronomy. Despite its strategic position as a hub for both tourists and locals, the café fails to leverage Amazonian cuisine, leaving a gap that could significantly boost cultural engagement and economic development. The research employed qualitative methods, analyzing visitor interactions and menu offerings against regulatory standards for food services. Findings indicate low awareness of local culinary potential among patrons, suggesting that integrating authentic Amazonian dishes could transform the café into a key driver of both tourism and heritage preservation.
La Gioconda: o café do Teatro Amazonas (Edição 495)
A qualitative study reveals that the Café La Gioconda, located within the iconic Teatro Amazonas—a UNESCO-recognized cultural and architectural heritage site in Manaus—fails to leverage local Amazonian cuisine as a tool for enhancing tourism. Despite its strategic position, the café does not prominently feature regional gastronomy, missing an opportunity to deepen cultural exchange with visitors and residents alike. The research highlights a gap in offering authentic Amazonian culinary experiences, which could bolster the site's appeal while adhering to food safety regulations (RDC nº 216/2004). The study underscores the potential of gastronomy as a driver for local development within heritage contexts.
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