Publications
Politics from Law or Law as Politics? Hugh of Poitiers’s Chronica and the Politics of ius in the Mid-twelfth Century
A twelfth-century legal conflict over Vézelay Abbey, documented by monk Hugh of Poitiers, reveals that the concept of ius ('law, right') was intrinsically political. This study demonstrates that such conflicts were not merely about jurisprudential norms but about defining a just societal order. By analyzing Hugh's Chronica, written between 1140s and 1160s, the research challenges modern distinctions between legal and political aims in jurisdictional disputes of the mid-twelfth century. The findings underscore that competing understandings of ius shaped contemporary legal actors' arguments, forcing a reevaluation of how law and politics intertwined during this period.
“All you need is Faith”: Sainte Foy,Furta Sacra, and Saint Mary Magdalene
Pilgrimage to female saints' shrines, such as those of Sainte Foy and Saint Mary Magdalene, has persisted for over a millennium, predating their inclusion on the Way of Saint James. These sites in Conques and Vézelay, respectively, attract pilgrims through a blend of monastic intrigue, sacred theft (furta sacra), and myth-making. While female pilgrimage to Compostela remains prominent, these shrines represent an earlier and distinct tradition of devotion, rooted in the Roman Empire but redefined during medieval Europe's peak pilgrimage era. The study highlights their enduring cultural significance despite shifting religious landscapes.
Pygmalion’s Power: Romanesque Sculpture, the Senses, and Religious Experience by Thomas E. A. Dale
Romanesque sculpture, particularly in sites like Vézelay and Moissac, was not solely a revival of classical art but reflected a profound shift toward spiritual embodiment and affective piety during the late 11th to 12th centuries. Thomas E. A. Dale challenges traditional narratives that attribute its resurgence to a desire for Roman authority, instead emphasizing its role in religious experience through sensory engagement, ritual veneration, and liturgical drama. The study employs cultural anthropology, liturgical studies, and historiographical analysis to reinterpret familiar works—such as the Madonna and Child, crucifixes, and monsters—revealing their affective qualities and connections to devotional practices. Dale's interdisciplinary approach, drawing on the work of scholars like Mary Carruthers and Caroline Walker Bynum, provides fresh insights into how these sculptures evoked religious emotion and spiritual meaning.
Vézelay
Vézelay, an ancient hill city in Burgundian France, stands out for its historical and religious significance. The site is renowned for its 11th-century abbey, Sainte-Marie-Madeleine de Vézelay, which served as a pivotal starting point for the 'Via Lemovicense,' one of the four major pilgrimage routes to Santiago de Compostela in Spain. Additionally, it is notable as the location from where Saint Bernard of Clairvaux preached the Second Crusade on Easter Sunday in 1046. This publication highlights Vézelay's role in shaping medieval pilgrimage and religious movements, offering insights into its cultural and historical importance.
Images des Juifs à Vézelay : entre condamnation et conversion
At Vézelay, the sculpted images of Jews reflect a unique duality—simultaneously condemning and offering redemption. This ambivalence, likely influenced by Pierre de Montboissier, challenges the Western Christian notion of 'Otherness' that equated non-Christians with infidels. The study reveals how the abbey’s iconography at Sainte-Marie-Madeleine presents Jews as part of a broader redeemable community, akin to pagans, if they embrace conversion. This oscillation between blame and salvation is embedded in the Romanesque stonework, illustrating the tension between communal identity (oratores, laboratores, bellatores) and individual agency in medieval society.
Innovation and Spiritual Value in Medieval Monastic Art: The Case of the Main Narthex Portal at Vézelay
Medieval monastic art at the Cluniac abbey of Vézelay around 1100 CE demonstrated a unique blend of tradition and innovation, drawing inspiration from Anglo-Saxon manuscript illuminations and biblical texts to create a portal that stood out both aesthetically and intellectually. This study reveals that the creators of the main narthex portal at Vézelay engaged in a triangular process of creation, synthesizing earlier artistic influences with new interpretations to justify its place within a monastic setting. By analyzing the portal's relationship to Anglo-Saxon imagery and scriptural sources, researchers uncovered how this approach aimed to captivate audiences on multiple levels while honoring established traditions.
The Abbey Church at Vézelay and the Cult of Mary Magdalene: “invitation to a journey of discovery”
A distinguished collection of essays, honoring architectural historian Paul Crossley, sheds new light on the Abbey Church at Vézelay and its significance within the medieval cult of Mary Magdalene. The volume integrates recent discoveries, fresh interpretations, and critical debates, offering profound insights into the cultural and religious landscape of the Middle Ages. By analyzing the church's architecture, liturgy, and symbolic elements, scholars from the U.S. and Europe provide a nuanced understanding of its role in medieval devotion and memory. This work serves as both a tribute to Crossley's scholarly breadth and a valuable resource for contemporary medieval studies.
You are here:
World Heritage Explorer > World Heritage Research > World Heritage Sites > Vézelay, Church and Hill