Publications
El fenómeno de la imitación de moneda en época bajo-imperial: consideraciones generales y tipologías a partir del ejemplo del territorium gerundesis.
Archaeological evidence from the Territorium Gerundensis reveals distinct typologies of imitated Roman coins during the Late Imperial period, offering new insights into their economic implications. The study challenges conventional definitions of imitation coinage by analyzing its nature and impact, supported by stratified archaeological data. Chronological frameworks for these typologies are proposed based on contextual findings, suggesting that counterfeit currency may have played a more significant role in local economies than previously understood.
Reflexiones y cuestiones de un fenómeno económico en la antigüedad: el comercio del vino del noreste de la Tarraconensis.
A groundbreaking analysis of ancient wine trade in the Tarraconensis region reveals how new amphora types, such as Pascual 1 and Dressel 3-2, reshaped Mediterranean commercial networks during the 1st century BCE to 1st century CE. Using a comprehensive dataset of over 14,000 amphorae from more than 700 sites, researchers mapped trade routes, production adaptations, and redistributive economic patterns, highlighting the region's resilience amid shifting economic demands. This study not only reconstructs logistical innovations in wine commercialization but also sheds light on how social and economic needs drove the emergence of complex trade systems in antiquity.
A Multianalytical Approach to Identifying the White Marbles Used in Roman Imperial Sculptures from Tarraco (Hispania)
A groundbreaking study challenges long-held assumptions about the marble sources used in Roman Imperial sculptures from Tarraco (modern-day Tarragona, Spain). Using a multimethod approach—combining petrography, cathodoluminescence, carbon and oxygen isotope analysis, and trace element composition—the research identifies two previously underrecognized marble varieties, Göktepe near Aphrodisias and Paros-lychnites, alongside Carrara marble. Contrary to prior beliefs that all sculptures were carved from Luni-Carrara marble, this study reveals a more diverse sourcing, with Göktepe emerging as the dominant material for imperial portraits of Trajan, Hadrian, Lucius Verus, and Marcus Aurelius, dating to the 2nd century AD. Strontium concentration and cathodoluminescence proved critical in distinguishing Göktepe from Carrara marble, while isotopes were pivotal for identifying Cycladic marble. These findings prompt a reevaluation of Roman marble trade networks, workshop practices, and the distribution of high-quality marbles during this period.
La decoración pictórica de la estancia 11 de la casa de Salvius (Cartagena)
A unique and comprehensive pictorial decoration from the last quarter of the 1st century AD has been identified in Room 11 of the House of Salvius in Cartagena, Spain. This ensemble, part of a well-preserved domus with an atrium and peristile, features a lower section mimicking opus sectile wallwork and a middle zone depicting a seasonal cycle—one of the most complete of its kind in Hispano-Roman contexts. The study reveals a blend of traditional Italian artistic motifs with local provincial influences, suggesting continuity and adaptation in regional workshops. Technical analysis underscores its significance as a rare example of late 1st-century AD decorative art, offering insights into cultural exchange and artistic evolution during the Roman period.
Processional liturgy in the urban space of seventh-century Tarragona
A groundbreaking analysis of the Verona Orational, a liturgical text copied in Tarragona in the early eighth century, reveals that processional rituals on Carnes Tollendas Sunday—marking the start of Lent—were deeply intertwined with the city's urban architecture. The study identifies three key locations—Holy Jerusalem, Saint Fructuosus's, and Saint Peter's—and situates these processions within the topographical context of Visigothic Tarragona. By combining textual analysis with architectural evidence, researchers reconstruct the spatial and sonic experience of these ceremonies, demonstrating how they Christianized urban space. The findings also draw parallels between the Verona Orational texts and later preserved chants, offering new insights into the liturgical practices of seventh-century Iberia.
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